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Showing posts with label arts center. Show all posts
Showing posts with label arts center. Show all posts

Saturday, November 8, 2014

Hall of Cultural Arts Center construction

Hall of Cultural Arts Center construction


Culture and Art Center will honor the nest of cultural and artistic activities went on in earnest erected.
Culture and Art Center will honor the link between the role of nature and human culture in <the culture and nature of the binding> The construction of the theme of this month.

Group is the state of the PPS contract last March after driving a glory Cultural Arts Center Building Design Competition (Competition) to complete the design and conduct of this year January 28 to ensure fairness and transparency.
Military official said, "The construction cost was finalized in 6000 ten thousand won 23.5 billion increase over last year at the time of the Competition 17.7 billion won," he said.

Meanwhile, the rest of the county in which spatial presentations of the various consultations held with parks, building materials, such as configuration changes and silbyeol plan, would have been a need for a differentiated cultural space as well as creating raised rock formations geological survey found that the cost the main cause of the increase.
The prevailing opinion is that the poor financial group-wise construction cost compared to the poor comment this right, but the era of 21st century culture and improve the quality of life for residents and cultural revival of the glory of creation requires the composition of high-quality cultural space.

Glory Cultural Arts Center, which starts on site this month umbrella Neighborhood Park one won 657 seats, the daegongyeonjang, multipurpose utilizing small venues available 242 seats, Exhibition Hall 3 places, club room, etc. will be erected.
Military official said, "We expect construction to eliminate cultural glory Cultural Arts Center and the desire of residents to derive cultural encounters and cultural exchanges between the city and the natural elegance of Yeonggwang this further increase," he said.

source : yg21
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Tuesday, October 7, 2014

The National Kaohsiung Performing Arts Center / Honerable Mention

The National Kaohsiung Performing Arts Center / Honerable Mention

The National Kaohsiung Performing Arts Center/ARTECH ARCHITECTS / Kris Yao + Chien Architects & Associates / 1-Isueh-I Chien + Stonehenge Architects International / Victor Yu Chu Su 
arts center, Architecture Competition Annual 2008, Chinese, Kaohsiung,
The National Kaohsiung Performing Arts Center
Main  perspective 

Location : Kaohsiung. Taiwan 
Function : An center 
Site area :550,000m2 
Bldg. area : 25,456m2 
Total floor area : 12,699m2 
Structure : Architectural Concrete. cor-ten Tension structural glass .
Design participation : Po-wen Hsiao, Kuo-chien Shen, Nina Yu. Chien-hao Tseng, Yen-hsun Li(ARTECH ARCHITECTS) Sheng-chieh Huang. Chu-yin Yalin Wu, Tzu-ai Chouthien Architects & Associates) Wen-kai Li, Yi-chue Lu(Stonehenge Architects International) .

The National Kaohsiung Performing Arts Center
Site plan
Architectural Concepts :
With its complex and extensive program, the NKPAC is inevitably large in scale. However, a monumental, singular and massive structure that attempts at a universal containment of all required programs runs into the risk of alienating not only its users. but also from the surrounding environment. Thus. driven from the wish to create a friendly, welcoming and approachable space, our design for the Performing Arts Centre is realized in a series of sinuously elongated structures. These relatively low and dispersed volumes merge into the natural landscape and allow the complex to be perceived by the spectators as 'A Place in the Park' - a place one can feel comfortable to move about and relax within. These forms on the landscape allow people to enter and penetrate easily, while its different parts of the arts working within, working together -joined together- to make a meaningful whole. 


conectivity diagram
conectivity diagram
The concept form generating diagram
The concept form generating diagram

The design intends to 'make sense' -not only its form feeds the function the building flows from the interplay of the theatre and arts functions within, but also its structure, services, construction and sustainability to make every rational sense in dealing with the local seismic, weather, economics and energy concerns. 

green architcure system
green architcure system

Sun + Shade
green architcure system
Air Cond + Nature Vent

Apart from providing functional and efficient performance spaces another significant aspect in the design concepts is to encourage public participation and interaction with or within the public spaces. The intension of these areas is to welcome and engage the public -including  those who may have no particular knowledge of or interest in drama, opera or ballet- into the building. With spatial flexibility to support different genres of arts and performances, the various formal auditoria, together with a series of public spaces through out the complex, are able to cater for events ranging from grand theater productions to small or even spontaneous street performances. The complex will not open to the public solely for performing purposes it will be an exciting playground that is open and welcoming to the public through out the day. With supports from a variety of catering retail, and other recreational amenities, the place is where people meet, mingle, share diversified experiences, and create collective memories. 

front view
Programs :
The NKPAC is composed by three visually distinct sinuous forms the 'solid' one. or the stage domain. the 'ribbed' one or the audience domain, and the 'soft' one which houses the public functions. These three forms interweave with each other, create void spaces in which the auditoria and the linear public 'thoroughfare' on the sunken level are contained. The solid 'stage' section acts as the backbone to the complex. This reinforced concrete structure is designed with minimum number of openings, in order to fulfill the technical and operational requirements of the back-of-the-house func-tions such as stages, shops, dressing rooms, technical spaces, rehearsal rooms. etc. With service access through the underground level, the technicians, staffs and the artists are routed proficiently and safely to their work places or destina-tions. Due to its continuous form, the various facilities are onveniently shared and easily managed by different theaters. The 'audience' section houses the audience functions such as entries and foy-ers for each theatre, intermission lounges, toilets, stairways and elevators bringing people up and down. To enhance the interactions between the patrons and the general public, the winding promenade at ground level is designed for park-goers to move in and out freely throughout the complex. The structure of this section is composes of a series of portal steel frames, allowing views to the park and vice versa. 
longitudinal section
The soft 'public section flows in and out, attaching either to the stage side or to the audience side. and accommodates lobbies, cafes. and small pockets of open spaces that permit impromptus and informal performances. 
These three undulant shapes interweave with each other and form three pods that contain the Concert Hall, the Lyric Theater, and the Playhouse, while the Blackbox Theatre is attached to the southern end. The shapes of these performing halls are derived from an Egg' shape dissecting itself with its own geometry, thus creating different volumes with outer 'crust surfaces and inner 'substance surfaces. These volumes are visible to the spectators from the underground Thoroughfare as well as through the portal steel frame from outside of the complex. The remaining bits and pieces from the Egg' are scattered among the plaza and the park these follies serve as vertical accesses to the underground levels and also utility spaces. 

1st plan floor
1st plan floor

Unquestionably, the theatrical climax, or perhaps the crown jewel of the complex. is the four performing halls. Situated respectively from the north to south they are the Concert Hall with 2075 seats, the Lyric Theatre with 2000 seats, the Playhouse and the Blackbox Theatre, both are able to transform into differnt modes of arrangement to serve different types of performances. 

The National Kaohsiung Performing Arts Center
The National Kaohsiung Performing Arts Center

The National Kaohsiung Performing Arts Center


zoning plan :

zoning plan
zoning plan

The National Kaohsiung Performing Arts Center / Honerable Mention

The National Kaohsiung Performing Arts Center/ARTECH ARCHITECTS / Kris Yao + Chien Architects & Associates / 1-Isueh-I Chien + Stonehenge Architects International / Victor Yu Chu Su 
arts center, Architecture Competition Annual 2008, Chinese, Kaohsiung,

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Friday, September 26, 2014

gyeongju arts center / South Korea / samoo architects


gyeongju arts center / South Korea / samoo architects
gyeongju arts center / South Korea / samoo architects

-I
nformation about gyeongju arts center project :ـ

  • Opened its doors /gyeongju arts center  : November 6th, 2010.
  • Duration of the construction project /construction : two years and four months.
  • The start of implementation of the project : April 14th, 2008.
  • Number of floors  :   five-storey building has two basement floors.
  • Photographs: Young Chae Park, Young Chul Shin.
  • Location: Gyeongsangbuk-do/ South Korea.
  • Architect: Samoo Architects & Engineers.
  • Area: 21,232 sqm
gyeongju arts center / South Korea / samoo architects
gyeongju arts center
 The Performing Arts Center is designed to provide a dynamic new landmark, symbolizing the ancient town of Silla was once the capital of the ancient city of Gyeongju. 

gyeongju arts center / South Korea / samoo architects
gyeongju arts center
The Down portion of the building contains an exhibition/performance space while the upper portions contain uses for education/experience and welfare. This clear zoning allows independent circulation system and management of the facilities.

gyeongju arts center / South Korea / samoo architects
gyeongju arts center
The design team used a simple traditional beauty, but also implies a new vision for the future. Front curved body mass contains an exhibition space, the body mass is smooth and elegant traditional architecture roof lines modern interpretation.

An open and pleasant ambience is achieved by the combination of natural light through the skylight and ample ceiling heights. Visitors can enjoy the panoramic view of Gyeongju City on the top floor observatory. For greatest flexibility and acoustical quality of the performance hall, it is equipped with state-of-the art variable acoustic systems-architectural acoustics diffusion system and stage equipment to maximize the quality of performances.

gyeongju arts center / South Korea / samoo architects
gyeongju arts center

gyeongju arts center / South Korea / samoo architects
gyeongju arts center
The upper contain Education / Experience and welfare space. Clear partition of the independence of the traffic flow line system and independent facilities management system. Shining through the skylight of natural light and a well-lit dome combined to achieve an open pleasant atmosphere. Visitors can observation deck on the top floor with panoramic views of the city of Gyeongju. In order to make the performance hall with maximum flexibility and the best sound in the hall equipped with the most advanced variable sound system, PA system and stage construction equipment in order to achieve the best performance results.

gyeongju arts center / South Korea / samoo architects
First Floor Plan
gyeongju arts center / South Korea / samoo architects
Section

-Information about gyeongju arts center project :ـ
  • Opened its doors /gyeongju arts center  : November 6th, 2010.
  • Duration of the construction project /construction : two years and four months.
  • The start of implementation of the project : April 14th, 2008.
  • Number of floors  :   five-storey building has two basement floors.
  • Photographs: Young Chae Park, Young Chul Shin.
  • Location: Gyeongsangbuk-do/ South Korea.
  • Architect: Samoo Architects & Engineers.
  • Area: 21,232 sqm

gyeongju arts center / South Korea / samoo architects
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Saturday, September 13, 2014

national kaohsiung performing arts center


 national kaohsiung performing arts center  / zaha hadid, patrik schumacher 
Zaha Hadid, national kaohsiung performing arts center, Interior design‬‏, Architecture Competition Annual 2008, arts center, kaohsiung city in taiwan, famous architect, kaohsiung, taiwan, architect,



  zaha hadid, architects / zaha hadid, patrik schumacher 

zaha hadid                 patrik schumacher           
Taiwan National Performing Arts Centre, Kaohsiung, Taiwan
Architecture Competition Annual 2008
  The project site: kaohsiung city in taiwan
Architects: zaha hadid, patrik schumacher
Year: 2007
Status: completed




 situated on kaohsiung city in taiwan, along the developing MRT public trensportaion line, and between the Zhongaheng stadium and fongshan city sports park, the proposed site for anational yo catalyze the development of amore public, and international Kaohsiung city. As a recognized base of industrial commerce in Taiwan, Kaohsiung city's infrastructure is already well established . with the inclusion of the new MRT Metropolis cultural & artistic belt along the line's east / west trajectory, the situation of the national Kaohsiung performing arts center, reflects the significance of the MRT as a major life line adicaencies with the proposed commercial district, as well as the open boundary around the sites perimeter serve not only to establish an open connection to the green scapes of the zhongzheng stadium to the north and fongshan city sports park to the south, but as ameans of flirting traffic into the site along this public " green band ".




















: Voronoi diagram  
to achieve an open green connection while concurrently filtering public progression through the site, the voronoi diagram was adopted as a method of organization. The voronoi algorithm produces acolse packing of convex domain based on agiven point distribution. The pattern is akin to many self-organizing processes in nature and gives astrong sense of organic coherence. In evaluating the assignment of the local treasured trees hisroric buildings and site boundaries with voronoi calculations andusing the resulting pattern as an organizational design principal we are able to respect the current situarion of the site and cultivate astrong affiliation between the building and the surrounding park-space.








: Surface composition
The overall form of the buikding itself seems to grow out of the patterned landscape, merging at the top, to form acanopy that shades the public plaza below . By developing the form with nurbs surface geometry, based on the cluster of voronoi shapes that comprised the building, the voronoi pattern is expressed in all ehe elements of the façade system . Build around astrucural system extracted from the UV geometry of anurbs surface , the structure / glass façade system in the elements running up from the ground to the cladding and ventiliation .














Elevation plan :






perspective - Interior design‬‏ :
























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Zaha Hadid, national kaohsiung performing arts center, Interior design‬‏, Architecture Competition Annual 2008, arts center, kaohsiung city in taiwan, famous architect, kaohsiung, taiwan, architect,



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